GEISHAGeisha (芸者
"person of the arts") are traditional Japanese artist-entertainers. The word
Geiko is also used to describe such persons. Geisha were very common in the
18th and 19th centuries, and are still in existence today, although their
numbers are dwindling. "Geisha," pronounced /ˈgeɪ ʃa/ ("gay-sha") is the
most familiar term to English speakers, and the most commonly used within
Japan
as well, but in the Kansai region the
terms geigi and, for apprentice geisha, "Maiko" have also been used since
the Meiji Restoration. The term maiko is only used in Kyoto
districts. The English pronunciation ˈgi ʃa ("gee-sha") or the phrase
"geisha girl," common during the American occupation of
Japan, carry connotations of prostitution,
as some young women, desperate for money and calling themselves "geisha,"
sold themselves to American troops.

Trainee Geisha (Maiko) Kyoto Japan by
Michael Reeve
The geisha tradition
evolved from the taikomochi or hōkan, similar to court jesters. The first
geisha were all male; as women began to take the role they were known as
onna geisha (女芸者), or "woman artist (female form)." Geisha today are
exclusively female, aside from the Taikomochi. Taikomochi are exceedingly
rare. Only three are currently registered in Japan. They tend to be far more
bawdy than geisha. Other public figures who contributed to the creation of
the modern geisha were Oiran, or courtesans, and Odoriko, dancing girls. The
Odoriko in particular influenced geisha to include dance as part of their
artistic repertoire.

A geisha at work in Gion
Kyoto. Picture by
ToddLara
Geisha were
traditionally trained from young childhood. Geisha houses often bought young
girls from poor families, and took responsibility for raising and training
them. During their childhood, apprentice geisha worked first as maids, then
as assistants to the house's senior geisha as part of their training and to
contribute to the costs of their upkeep and education. This long-held
tradition of training still exists in Japan, where a student lives at the
home of a master of some art, starting out doing general housework and
observing and assisting the master, and eventually moving up to become a
master in her own right (see also irezumi). This training often lasts for
many years.
The course of study traditionally starts from a young age and encompasses a
wide variety of arts, including
Japanese musical instruments (particularly
the shamisen) and traditional forms of singing,
traditional dance,
tea ceremony, flower arranging (ikebana),
poetry and literature. By watching and assisting senior geisha, they became
skilled in the complex traditions surrounding selecting, matching, and
wearing precious kimono, and in various
games and the art of conversation, and also in dealing with clients.
Once a woman became an apprentice geisha (a maiko) she would begin to
accompany senior geisha to the tea houses, parties and banquets that
constitute a geisha's work environment. To some extent, this traditional
method of training persists, though it is of necessity foreshortened. Modern
geisha are no longer bought by or brought into geisha houses as children.
Becoming a geisha is now entirely voluntary. Most geisha now begin their
training in their late teens.
Strictly speaking,
geisha are not prostitutes. Because they entertain men behind closed doors
in an exclusive manner, there has been much speculation about the
underpinnings of their profession. The confusion that surrounds this issue
has been complicated by Japanese prostitutes who wish to co-opt the prestige
of the geisha image, and by inaccurate depictions of geisha in Western
popular culture. Although a geisha may choose to engage in sexual relations
with one of her patrons, geisha engagements will never involve sex.
The first geisha was indeed a courtesan named Kako. Over time, she
discovered that she had no need to engage in the red-light district. Kako
was directly or indirectly to heir to many schools of Japanese art. She
called herself a geisha ("arts-person") and confined herself to giving
artistic performances.
Occasionally, a geisha may choose to take a danna (an old fashioned word for
husband), which is typically a wealthy man who has the means to support a
geisha mistress. Although a geisha may fall in love with her danna, the
affair is customarily contingent upon the danna's ability to financially
support the geisha's lifestyle. The traditional conventions and values
within such a relationship are very intricate and not well understood, even
by many Japanese. Because of this, the true intimate role of the geisha
remains the object of much speculation, and often misinterpretation, in
Japan as well as abroad.
ALSO SEE:
Where to see Geisha
Are Geisha Prostitutes?
Discuss
the film - "Memoirs of a Geisha"
(Article
based on
Wikipedia article and used under the
GNU Free Documentation License) |